The Old Courthouse
Creative Writing Group
Writers celebrate their connections with Wordsworth at Shap
18th March 2024
Shap Writers at The Old Courthouse met to celebrate their successful partnership with Wordsworth Trust which commenced soon after Shap Community CIO took over the running of The Old Courthouse from Cumbria County Council in 2015. Jeff Cowton, Principal Curator and Head of Learning at Wordsworth Grasmere and Susan Allen, Community Outreach Officer for Wordsworth Grasmere were present. Susan was instrumental in setting up the Shap Writers group and has facilitated it for over 8 years. She retires from her post at the end of March.
The evening showcased the group’s special partnership with Wordsworth Trust. Members of the writing group read a selection of their own poetry that had been inspired by session prompts, workshops with visiting poets or from visits the group made to places including Dove Cottage, Blackwell Arts and Crafts House and St Mary’s Church, Wreay. Images provided a visual backdrop to the poetry and illustrated the wide range of activities and opportunities that the group has been involved with; Writing the Weather pamphlet, writing for exhibitions at The Old Courthouse and poetry for the annual calendar. Members have had the opportunity to read their own poetry at evenings shared with poets including, John Hegley, David Johnson and Kenneth Steven. Music has usually been an integral part of the poetry evenings and ‘Tyan’ (Peter Rowan and June Swift) delighted the audience with their musical interludes.
Jeff Cowton commended the Shap group and Susan on all that they had achieved together and confirmed his commitment to seeing the partnership continue. Victoria Stevenson thanked Susan and presented tokens of appreciation on behalf of the group. Shap Writers meet monthly and have an interesting programme planned for 2024. For further information about the group email;
Victoria@theoldcourthouse.org
Links with Wordsworth Trust are also extend to the younger generation in Shap. They provide Rucksack of Rhyme sessions with Shap Playgroup and the Nursery and Reception class at Shap C of E School. Recently Years 1 to 6 spent a day visiting Dove Cottage, exploring the garden and woodland and taking part in creative arts followed by staff from Wordsworth Grasmere having a day at Shap School doing follow up activities.
Pale sky full of cold
red & black blazing a trail
old snow lines the tracks
Feel the packman’s ponies tread
from parish to parish.
Clear cold blue day
frosted branches
decorate the lane
Another winter over,
with spring comes
hope for the next generation
Look on these hills, these skies
my ancestors, like yours,
steeped in spring’s coming.
Feel the packman’s ponies tread
from parish to parish.
A hand of white cloud
rests over sheep land, palm down,
quieting, calming
Spring sings with her
Bonny
Paper white petals
small way markers edge the path
all through the green wood
Clouds feather the sky
ghosts appear on the water
bloom in broad daylight
Shout, you can shout at the wind
and tiny flowers a thumbnail high will quiver,
tiny flowers will quiver.
Sheep do safely graze at Keld
below the distant hills
Over, under or through, leap
the water, stone and moss
river and bridge, flow and lode
Feel the packman’s ponies tread
from parish to parish.
Life-giving water in tranquil shade
gushing forth from its mossy glade.
Remnants of rainforest
ferns
water falling
‘Epiphytes and bryophytes enjoy the moisture of the woods.
Living layers drip with green.’
Curiosity killed the cat
but fortunately
not the cows!
Curious bovine gazes at human.
Are my earrings nicer than yours?
Sheep gently graze by a rippling beck
beneath a blue, cloud ridden sky
Steep-angled bedrock,
furred in green sedge, holds a stag
antlered in velvet
Mine! Mine! Mine!
Monarch of all I survey!
Now the winter bushes bloom again,
with branches decked in finest lace.
Shout, you can shout at the wind
Snow of last night’s storm
waits hushed, bids you step
across the river, flowing still
Limekilns ride winter
like old ocean liners, streaming
steam through the sunset
Stepp this way to a
winter wonderland
White of snow, grey of steam
nature versus man in harmony
Feel the packman’s ponies tread
from parish to parish.
Passing Shap station –
years ago children returned here,
school day over.
A Calendar Renga poem created at our January meeting using all the captions submitted to accompany the selected images for the 2024 calendar by members of the Wordsworth Writing Group at The Old Courthouse.
Alex, Henry, Jane, Janet, Jean, Juliet, Lania, Peter, Phyllis, Sue, Susan, Victoria
Thank you to everyone who supplied photos and writing for the calendar and to Wordsworth Grasmere for their sponsorship.
Shepherd
Underneath the hill’s wide hem
he walks away, grass moving as
worn boots brush blades aside.
Frayed jacket matching
dirt-brushed arms, trousers hitched
untidily with binder twine.
His screwed eyes survey his sheep scattered
wide across the sleeping vale, gimmer
and the shearling, sure within his
calloused palms, each broken finger-nail
knows the feel of every one.
Beaten brown through gale and storm
to leathered flesh, partner of
the cruel fells, where wind and
water reign, master of the bracken
and razored grass.
His crook an extra arm, a curling horn
hooking living wool, as his eager dog
a shooting blade, targets
lost lambs
across the friendless heath.
At last he rests.
Boots sprawl upon the step,
laces loop in weary pools,
his tired crook hangs dormant for a spell,
and by the quivering fire he tries to understand
the changing times, remembering the past.
Will he be the last to walk this land?
He sadly smiles, sips his tea
and sleeps.
Royal Fell Ponies
Tucked away up the Howgills
But famous they are
One of the Queen's last photographs showed
Two of the fell ponies from Tebay side by side with her
And at her funeral her favourite fell pony was on duty
Humble animals but owned by our glorious Queen
Rhythm of the Commons
For generations
Flocks folded from fell to farmstead,
Common and inbye working in harmony.
Seasons came and went,
Time measured in gathers -
Lambing,
Clipping,
Speaning,
Dipping,
Tupping.
Numbers now cut, restrictions imposed,
Seaves encroach, grazing diminished.
Heafs, mind-mapped by shepherds and sheep,
Now displaced by triple S.I’s, and
rank on rank of guarded trees
The familiar rhythm is broken.
A new calendar sets the beat -
We must dance to another’s tune.
Restoring peat bogs
Some are farmer’s sons whose tenancies
have expired or been erased by a utility giant.
A young farrier, with enormous hands holds
his mug of tea like an egg-cup. The dairy men
with bent backs sit in strange positions, faces
speckled with disappointment.
Tea done, they hunch through the tin door,
goading each other, a young farmers trip
to Blackpool remembered.
Hands un-gloved, men who worked tractors
aged twelve have repurposed diggers
creating machines for the bog.
Caterpillar tracks are fitted to spread
pounds per square inch lightly on the ground.
For angled work weighted feet are forged
no-one wants to upturn for hours
outside the range of GPS.
In driving rain, they must read the land
with programming from childhood, alert to gullys,
solidity, prevailing winds, aspect, the falling dusk.
In fog, a boulder might smash the digger’s belly.
Featureless, the terrain must be felt.
The 3.30 break, back in the van. They sit
tolerating each other. Grumpy bastards already,
with lined faces and bad language. A joke,
and some teasing later, Callum explodes, his arm
crumples the caravan partition. He holds his elbow,
claiming bruises and blaming the gob-shite
who made him.
But he knows
this work is all that stands between him
and pumping sewage from camp-site septic tanks.
Underneath his check shirt, he rubs the tattoo
of his family's old flock mark.
Oak Ink
Saplings of hazel
spread rumours
among the margins of gorse.
Oak apples boast
but turn powdery,
or get dissolved into ink.
The black liquid
made by the collector
who smears bilberry
on her sleeve and
sketches the sundews
for winter.
Voice
The inner chamber
of my dome is velvet, corduroy,
sheen. The raised bubble is silk and
shagreen. I am the temple of the system, soft,
shifting. Bird song and the sunny day will seduce you.
Lie on your back, stare upwards, hold hands.
Peel sponge from the reeds. Touch
the mosses. Sift me and you’ll feel
inconsequential, but immortal,
a sort of bliss. Eat: Scotch eggs,
ham, cheese. Share kisses,
count the sky larks
but remember
to leave.
Before
dusk.
Selling natural capital
The jackpot trills of skylarks sing
prize, prize, prize!
Gold coins fall
from the beaks of lapwings
and roll across the moor.
Buttercups spill their molten
yellow into the mouths of bankers.
At a bend in the stream, plumes
of moths scurry above the silverweed;
in a cloud of opportunity. Yarrow
opens her creamy umbels to the air,
attracting a confetti of investors,
clamouring for her scent.
The shrewd, know the value
of shiny beetles, indicator species
for the C02 in trees. It’s a new
win-win, not seen since the 80’s.
Fill your boots landowners -
with little bit of heaven
and a little bit of sin.
Measuring cultural value
An Englishman, a Scotsman and an Irishman
go into a bar. So how do we measure
the cultural value of that old joke?
First, represent each man with a favoured drink:
a pint of ale, a Scotch Whisky and a Guinness go into a bar.
(Stereo-typed, yes, but still some nuance there).
Now equate their tipple to real money:
a Pound, and another Pound and a Euro go into a bar.
(That’s three distinct drinks, now two currencies.)
Next convert this to digital -
three Bitcoins go into a bar. Or rather,
don’t go into a bar, there’s no need - its virtual.
Finally, the Bitcoins are traded as Crypto-currency;
that cannot be seen or held or traced. A measure
of cultural value with no sense of place.
Commonwealth
Time out of mind
Ancient of days
Old as the hills
over five hundred years ago
Rights to graze, pasture, fish
gather fuel & bedding
harvest minerals & food
Hard labour, labour of love
Rights to air & exercise
To peaceful enjoyment
Clearances & enclosures
Rebels & roamers
Deer fencing & sheep netting
An assemblage of birds
Commoning
Treasure trove, larder
Fenland coalhole, upland peatbog
Fellside, grassland
Tarns, becks, rivers
Carbon storehouse
Crofters & commoners
Work horses & stewards
Knowledge bred in bone
Muscle memory
Future proofing
The Mountain Answers Monbiot
Quote: ...a wildlife desert. Blame Wordsworth.
Come to this farm that neighbours the fell wall,
this tired house roofed with unmatched slates,
whose barns once served a medieval church
five days over the mountains to the east.
Once, two lords with a map could make us all –
cattle and sheep, fell farmers and the fells –
Scottish or English at a single stroke.
I knew those ancestors. They built this
in the time of the Restoration;
the date-stone tells of prosperity
and the raising of barns – a thousand years
of sheepwalks, spinning, cowbells and butter.
Meet the inheritor of my land, their line.
Milking his cows and turning out his tups
raddle-chested to the autumn flock, he learned
a story from every grass-blade on my flanks.
A mere ten thousand years of knowledge: how
ice, compacted a mile deep, ground smooth
Silurian grit and sandstone; how snow-melt
carved my long valleys where his ponies shelter
from the winds; where screes tumble first in frost;
which of my slopes will bloom in a dry year;
which valley bottoms slow the winter floods.
Quote: hill farming with hefted flocks, and a thriving ecosystem, are at odds.
He walks my rocks – no peat core biopsy
needed to tell him where the upland
flora come out first to shout of spring;
why forest never hid my windswept tops;
how the tangle-maned Fell mare and her foal
keep their own ground, and every hill-hardy
tuft of sweet turf ties hoof to heaf, up here
where we are roofed by unhaltered cloud.
I speak to him of childhood, when he chased
fox cubs and black-capped gulls. He remembers
how along that trod, his horse ran away
while sledging home the rusted brackens,
and his father cuffed his head and his grandfather
sent him to the forge with chains to mend.
His adolescent legs took him downhill
in seven-league strides, boots slipping on wild thyme.
If you would listen, every slope of me
would share its ghost.
He was lish then, a prize for any woman,
and a twenty-hour day no trouble;
he walked my tops to gather sheep at dawn,
clipped them and turned them back before the night.
When he ran-out Fell stallions, for the old men
to mate to their tail-swishing squealing mares,
their lust pranced over the green spring grass
and his thighs sprinting beside them
drew the young women, flirting, hungering.
If it weren’t for that black dog of his
who growled at wedding photographs,
he could have mounted all their bouldered slopes,
laid them in any of the mossy ghylls,
my autumn turf as velvet as their skin.
But I am his Amazon, his Serengeti.
My rowan trees slim as girls’ wrists
hang their red-lipped berries over his head.
Quote: Why should Wordsworth and Ruskin govern our tastes beyond the grave?
Your paper judgement signed by city hands
can’t quantify such men as him. His heart
clings to my base rock like the fossils cling
to the mudstone sea-floor, like the peat
layers years bone-deep with carbon from old stars.
At night, before he struggles into bed,
it’s me he studies, and the sky I lean on,
for the presence or the absence of the stars,
feeling the scarf of wind worn on my shoulder
to know what morning weather I will give him.
He crawls my flanks now like a scarlet beetle,
sitting the quad bike sideways. Tamed by pain
he hunts only photographs, and the sun.
He knows Death has him in its cross-hairs
and the hammer is about to fall, but
in spirit he’s still climbing to my heights
to fetch his sheep or ponies home for birth,
or crossing the sloped meadows at my feet
cutting the sun-warmed grass for winter hay,
watching colts galloping across the snow,
bucking and kicking in a dazzle of light.
He is still naming foals as yet unborn.
Do not presume to tell him how to live.
Farmhouse
He built it straight on the turf,
uncut beneath its stones.
It smelled of cattle in the winter byre,
hay and milk and butter and strong cheese.
Mice tunnelled through the walls
to scamper over bedroom ceilings.
Sheep grazed up to its windows.
It flowered at the heart of the farm.
It kept out frost and summer sun;
cradled the ever burning
hearth fire for his woman; held her cries
as she loved him, bore his children.
He wrote above the door,
Non Mihi Sed Filiis –
Not For Me, But For My Sons.